To help with this I've included a glossary, which is a good place to start. As a Maschine and Live user it took me a long time to get my head around the MPC's approach and terminology. The first MPC I used was the Touch, which was the model that introduced the user interface and workflow used on all the current MPCs. The MPC One has made the platform more affordable than ever, and there's a continuing swell of interest in DAW-free electronic music production. The MPC has been enjoying something of a revival recently. This feature is intended as a primer for anyone who's new to the MPC, providing an overview of the core concepts and workflow and a jumping-off point for exploring the finer operational details. MPCs work in their own way, and making the jump from another platform or a DAW can seem intimidating. To those who love it, the MPC offers a hugely powerful and extremely fast way to make music, but to the newcomer its heritage can be an obstacle. It has continually evolved, but always in a way that builds on the workflow designed by Roger Linn all those years ago. Perhaps uniquely in music technology hardware, the MPC has been in development ever since. The Akai MPC has been with us since the launch of the MPC60 in 1988, and has been at the heart of more famous records than anyone could count. Hit the ground running with our guide to Akai's celebrated Music Production Centre.
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